范凌《坐享悬绿》
不锈钢网架、无土草皮
FAN LING
Enjoy Sitting on Elevated Green
Stainless steel net frame, turf without soil
400×150×120cm
2008
    绿地是城市的肌肤，也是城市标志自身范围的方式。艺术家从现代设计史上经典的座椅设计中归纳出不同的要素并组合出全新造型，通过特殊技术，在绿地上创造出“植物座椅”。这样的座椅不再是绿地上异质材料的介入，而是自然生态的延伸。
    Green area is the skin of a city, also a way for the city to mark its own range.  From the classic chair designs in the modern design history, the artist concludes various elements to be combined into entirely new models and creates “plant chairs” in the green area.  Such chairs are no longer interference of different materials in the green area, but the extension of natural ecology.

金善球 (韩国)
《扬帆》
青铜
KIM SEON-GU (Korea)
Setting Sail
Bronze
300cm
2008
    船，在历史和现实中都具备着十分丰富的含义，它运载过无以计数的货物，搭乘过很多远行的人直至异国他乡……在张江这片滨水的土地上，正发生着飞速的变化，起航的船只依然承载着梦想，扬起风帆，伴随天际的韵律驶向未来。
    Boat has profuse connotations in history and reality.  It has transported countless goods, and shipped numerous passengers to other cities and countries…  On the riverside land of Zhangjiang, lots of changes are quickly happening, and the setting-out boats still carry the dreams, hoist the sails, and sail to the future with the rhythm pulsating on the horizon.

胡项城 《陌生者的行程》
铝
HU XIANGCHENG
A Stranger’s Journey
Aluminum
460×100×120cm
2008
    这是一件尚未组装的机器部件？还是一个动物的残骸？是将要诞生的新生命体？还是来自外部世界的不明来客？在这个动作快过思考的年代，在这个以往经验失灵的年代，人类命运变化的不确定性使我们陷入深深的不安，这虚拟的形象正象征了这种状态。
    Is this a part of a machine to be assembled?  Or the remains of an animal?  Or a certain new creature to be born?  Or an unidentified guest from the outer world?  In the times when action is faster than consideration and the past experiences are invalid, the uncertainty of mankind fate’s changes deeply unnerves us, and the invented image just symbolizes this status.

刘建华《你能告诉我吗？》
不锈钢、混凝土、大理石
长43 cm、宽33 cm、高50cm、60cm、70cm、80cm，60件
LIU JIAN HUA
Could You Tell Me?
Stainless steel, concrete, marble
Length: 43cm, width: 33cm, height: 50cm, 60cm, 70cm, 80cm, 60 pieces
2008
    这件作品，以一种“未来考古学”的方式关注着城市。艺术家从当代上海的城市生活及张江的高科技发展中归纳出了110个不同的问题，并把问题被镌刻在金属的书本上。观众在此散步时，将会看到这些来自未来的问题，这必将激发每个人对生态与城市发展问题的思考。
    This work concerns the cities in a way of “future archeology”.  From the urban life in present Shanghai and the hi-tech development in Zhangjiang, the artist concludes 110 different questions, and engraves them on a metal book.  When the audience walks past it, he could see these questions from the future, which could definitely stimulate each audience’s consideration for problems of ecology and city’s development.

乔恩•巴洛•哈迪森（美国）
《倾斜立方》
不锈钢、大理石
JON BALOW HUDSON (USA)
Inclined Cube
Stainless steel, marble
1000cm
2008
    不锈钢来自现代工业文明，直白锐气；大理源于自然的造化，浑厚质朴。当两种材质融汇一体之时，正象征着张江的高科技与人文环境的交汇。三棱形代表了锐意进取，在磁悬浮列车飞速奔驰的时代，来自世界各地的科技与文化碰撞，必会形成最深入的思考，进而引发更高的追求。
    Stainless steel originates from modern industrial civilization, straightforward and aggressive; marble comes from the nature, simple and vigorous.  When these two materials are integrated together, it symbolizes the fusion of high technology and humanistic environment in Zhangjiang.  The three-pointed shape represents determined progresses.  In the high-speed times of magnetic levitated train, technologies and cultures from all over the world collide into each other, certainly cause the most deliberate consideration, and therefore lead to higher level of pursuits.

秦一峰《榫卯》
钢
QIN YIFENG
Mortise & Tenon Joint
Steel
210×210×1000cm
2008
    在世界家具和建筑史上，“榫卯结构”是中国古人最独特的创造，显示着“天人合一”的东方精神。艺术家将一截“榫卯”局部放大，使中国古代的自然观与钢筋水泥的城市发展遥相呼应。对张江高科技园区来说，这是一个异形的“插件”，时刻提示着数字时代与传统精神的内在关联。
    In the international histories of furniture and architecture, the structure of mortise and tenon joint is the most unique creation of ancient Chinese, presenting the oriental spirit of “the unity between heaven and human being”.  The artist magnifies a part of mortise and tenon joint, so that the nature outlook in Chinese ancient times could distantly correspond to urbanization process of armoured concrete.  For Zhangjiang hi-tech zone, this is an alien “plug-in”, constantly reminding us of the inner association between the digital times and the traditional spirit.

邱黯雄《甲房》
铝、不锈钢、防腐木
QIU ANXIONG
Pangolin Room
Aluminum, stainless steel, rotproof wood
1100×500×300cm
2008
    这是一个介于水面和陆地之间的小型建筑，造型颇似穿山甲。内部有精心设计的椅子和洗手盆，是一个可以遮阳避雨的空间。艺术家以诗意的情怀为游客提供了一个私密性的停留和冥想之所，在喧嚣的城市中营造出一方小小的田园净土。
    Resembling the shape of a pangolin, this small building is constructed among water and land.  With elaborately designed chairs and basins installed inside, this is a space sheltered from the sun and rain.  The artist poetically provides a private space for the tourists to stay and meditate, creating a small piece of pure land in the clamorous city.

曲丰国《移动的故事》
不锈钢、树脂着色
QU FENGGUO
Moving Stories
Stainless steel, resin color
550×350×120cm~180cm
2008
    作品选取了互联网聊天程序中通用的表情符号，平面的符号被转换成立体雕塑，不同的表情的串联与组合仿佛诉说着不同的网络故事。当表情符号被移动的时候，喜怒哀乐的结构随时在发生变化，不同的想像空间和游戏乐趣随之而来。
    This work chooses the expression symbols used in chat software on Internet.  The two-dimensional symbols are transformed into three-dimensional sculptures.  The arrangements and combinations of different expressions seem to tell various Internet stories.  When the expression symbols are moved, the structure of different feelings changes with it, and the fun of different imagination spaces and games also comes with it.

韦天瑜《外来人》
不锈钢烤漆、8个电视屏幕、红外线互动
WEI TIANYU
Immigrants
Stainless steel with baked lacquer, 8 television screens, infrared ray interaction
250×150×350cm + 150cm
2008
    生存空间的变化必将带来人的变化，这件独特的多媒体作品关注着城市化进程中的新移民现象。艺术家将一个巨大的行李箱作为城市移民的隐喻，我们从8个录像视频中可以看到人口流动过程中空间与身份的迅速变化，从一个侧面反映出张江人口结构的特殊性。
    Changes in space of existence would surely lead to changes in people.  This unique multi-media work concerns the new immigrant phenomenon during the course of urbanization.  The artist takes a huge luggage trunk as the metaphor of city’s immigrants.  From 8 pieces of videos, we could perceive the fast changes of space and identities during population’s flowing process, which reflects the special composition of Zhangjiang’s population from a side aspect.

颜磊《心》
不锈钢架、单向透视玻璃、LED灯、电动机械系统、大理石
主体：长250 cm、宽150 cm、高250cm
基座：长250 cm、宽250 cm、高500cm
YAN LEI
Heart
Stainless steel rack, unidirectional glass, LED lamp, electric mechanical system, marble
Main Part: 250×150×250cm
Pedestal: 250×250×500cm
2008
    这件可旋转的巨大心形雕塑是“城市之心”的象征，白天为银色，反射日光；夜晚为红色，内部发光。“心脏”的中央会显示不同的文字，体现着人的日常行为和欲望。艺术家试图以心脏的形状暗示出城市也是一个生命体，有着自己的生命节奏和韵律。
    This huge revolvable heart-shaped sculpture is the symbol of “the city’s heart”.  In daylight, it is silver-colored, reflecting the sunlight; at night, it is red, with illumination inside.  Different words are displayed in the center of the heart, presenting human being’s daily behaviors and desires.  Through the shape of heart, the artist tries to imply the city is also a living creature with its own life rhythm.

杨奇瑞 《童年•张江》
长1200 cm、宽500 cm、高800cm
不锈钢
YANG QIRUI
Childhood, Zhangjiang
Stainless Steel
1200×500×800cm
2008
    一个滚动铁圈的奔跑少年，象征着朝气蓬勃的张江。在悬浮特快疾驰飞奔的年代，在张江高科健康成长的年代，这件作品提示我们：无论科技多么进步，我们都不要忽略了脚下的大地和儿时的梦想——自信地向前奔跑，向着太阳升起的方向！
    A running teenage rolling an iron hoop, symbolizes the vigorous Zhangjiang.  During the times of Maglev train speeding and Zhangjiang hi-tech zone healthily growing up, this work reminds us: no matter how advanced the technology is, we should never neglect the earth beneath and the dreams of childhood, and ought to confidently run forward towards the direction of sun rising!